x 关闭导航
x 关闭导航

“水天拍拍飞鸥”的意思及全诗出处和翻译赏析

出自宋代黄升的《木兰花慢(怀旧)》, 诗句共6个字,诗句拼音为:shuǐ tiān pāi pāi fēi ōu,诗句平仄:仄平平平平平。

《木兰花慢(怀旧)》

宋代   黄升
问春春不语,谩新绿、满芳州。
记历历前游,看花南陌,命酒西楼。
东风翠红围绕,把功名、一笑付糟丘。
醉里了忘身世,吟边自负风流。
风流。
莫莫复休休。
白发渐盈头。
恨十载重来,略无欢意,惟有间愁。
多情向人似旧,但小桃、婀娜柳纤柔。
望断残霞落日,水天拍拍飞鸥。
分类标签: 黄升 木兰花

黄升的简介

黄升(生卒年不详)字叔旸,号玉林,又号花庵词客,建安(今属福建建瓯)人。不事科举,性喜吟咏。以诗受知于游九功,与魏庆之相酬唱。著有《散花庵词》,编有《绝妙词选》二十卷,分上下两部份,上部为《唐宋诸贤绝妙词选》,十卷;下部为《中兴以来绝妙词选》,十卷。附词大小传及评语,为宋人词选之善本。后人统称《花庵词选》。...[黄升的诗词]

《木兰花慢(怀旧)》黄升 翻译、赏析和诗意

Poem: "Mu Lan Hua Man (Nostalgia)"
Dynasty: Song Dynasty
Author: Huang Sheng
Content:
Spring is asked but remains silent,
In vain, the new green fills the fragrant city.
Remembering the past wanderings distinctly,
Gazing at flowers on the southern path,
Commanding wine in the western tower.
The emerald red encircles by the east wind,
Putting fame and glory aside with a smile.
In drunkenness, forgetting worldly matters,
Reciting poetry by the riverside, prideful and elegant.
Elegant and proud, never stop.
White hair gradually fills the head.
Regretfully returning after a decade,
Slightly lacking in joy, only leaving behind worries.
Affectionate towards people, seeming familiar,
Like young peaches and graceful, willowy willows.
Watching the setting sun beyond the broken glow,
Water and sky applaud as seagulls soar.

Chinese Translation:
诗词:《木兰花慢(怀旧)》
朝代:宋代
作者:黄升
内容:
问春春不语,谩新绿、满芳州。
记历历前游,看花南陌,命酒西楼。
东风翠红围绕,把功名、一笑付糟丘。
醉里了忘身世,吟边自负风流。
风流。莫莫复休休。白发渐盈头。
恨十载重来,略无欢意,惟有间愁。
多情向人似旧,但小桃、婀娜柳纤柔。
望断残霞落日,水天拍拍飞鸥。

Poetic Meaning and Appreciation:
This poem captures the feelings of nostalgia and a longing for the past. The speaker, reminiscent of previous springs, finds no response from the present one. Despite the blossoming greenery, the fragrant city lacks the charm and vitality of previous times. The speaker recalls vividly the past journeys and takes pleasure in admiring flowers along the southern path, while commanding wine in the western tower.

The vibrant description of the east wind encircling in emerald red signifies the speaker's detachment from worldly accomplishments and fame, with a carefree smile. In a state of drunkenness, the speaker forgets about worldly matters and confidently recites poetry by the riverside, displaying a sense of pride and elegance.

As the poem progresses, the speaker remarks on the passage of time and the inevitable signs of aging. The white hair gradually filling the head symbolizes the passing years. The return after a decade brings a sense of regret, as the joy and enthusiasm of youth are slightly diminished, leaving behind only worries.

The speaker's affectionate nature towards others is portrayed, appearing familiar like young peaches and graceful, willowy willows. The view of the setting sun and the broken glow signify the passing of time and the ephemeral nature of life. The water and sky applauding as seagulls soar evokes a sense of both admiration and farewell.

Overall, "Mu Lan Hua Man (Nostalgia)" captures the sentiment of longing for the past, the fleeting nature of time, and the beauty of nature. Through vivid imagery and introspective musings, the poem invites readers to reflect on the passage of time and the importance of cherishing moments of joy and connection.

* 此内容来自古诗词爱好者,仅供参考

《木兰花慢(怀旧)》黄升 拼音读音参考

mù lán huā màn huái jiù
木兰花慢(怀旧)

wèn chūn chūn bù yǔ, mán xīn lǜ mǎn fāng zhōu.
问春春不语,谩新绿、满芳州。
jì lì lì qián yóu, kàn huā nán mò, mìng jiǔ xī lóu.
记历历前游,看花南陌,命酒西楼。
dōng fēng cuì hóng wéi rào, bǎ gōng míng yī xiào fù zāo qiū.
东风翠红围绕,把功名、一笑付糟丘。
zuì lǐ le wàng shēn shì, yín biān zì fù fēng liú.
醉里了忘身世,吟边自负风流。
fēng liú.
风流。
mò mò fù xiū xiū.
莫莫复休休。
bái fà jiàn yíng tóu.
白发渐盈头。
hèn shí zài chóng lái, lüè wú huān yì, wéi yǒu jiàn chóu.
恨十载重来,略无欢意,惟有间愁。
duō qíng xiàng rén shì jiù, dàn xiǎo táo ē nuó liǔ xiān róu.
多情向人似旧,但小桃、婀娜柳纤柔。
wàng duàn cán xiá luò rì, shuǐ tiān pāi pāi fēi ōu.
望断残霞落日,水天拍拍飞鸥。

“水天拍拍飞鸥”平仄韵脚

拼音:shuǐ tiān pāi pāi fēi ōu
平仄:仄平平平平平
韵脚:(平韵) 下平十一尤   * 平仄拼音来自网络,仅供参考;诗句韵脚有多个的时候,对比全诗即可判断。

诗友评论

更新时间:2026-09-27 23:01:43

哎,这首《唐多令》读下来,真是让人心里五味杂陈。开篇那句“问春春不语”,一下就戳中了某种说不出的孤独感——春天明明就在眼前,可它偏偏沉默得像块石头,满眼的新绿和芳洲反而衬得人更寂寞。这种“热闹是他们的,我什么都没有”的反差,瞬间把人的情绪拉进了一个纠结的漩涡里。

接着读到“看花南陌,命酒西楼”,脑子里立马浮现出诗人当年意气风发的样子。可转头一句“把功名、一笑付糟丘”,又让人忍不住想:这洒脱里是不是藏着点不甘心?就像现在年轻人嘴上说着“躺平”,其实心里可能还憋着股劲儿。那个“笑”字用得妙啊,乍看是豁达,细品却像在自嘲,仿佛在说:功名算个啥,不如醉倒来得痛快。

下半阙的转折简直像一盆冷水浇下来。“白发渐盈头”五个字,把中年危机写得明明白白。十年前还是风流少年,如今重游旧地却“略无欢意”,这种时间带来的钝痛感太真实了。最绝的是“小桃婀娜柳纤柔”这句,明明写的是生机勃勃的春景,可配上“多情向人似旧”,反倒成了扎心的对比——花柳依旧多情,人却早已沧桑满目。结尾的“残霞落日”和“飞鸥”更是神来之笔,画面明明开阔得很,可那种苍茫无依的感觉,愣是让人心里空落落的。

整首词就像在听一个中年人酒后絮叨,表面上潇洒不羁,字缝里却渗着苦味。这种矛盾感特别打动我——谁还没点“嘴上说放下,心里拧巴着”的时候呢?诗人用春景反衬愁绪的写法,比直抒胸臆更有冲击力,就像用糖衣裹着黄连,甜着甜着突然就苦得让人皱眉。要说有什么遗憾的话,可能就是典故用得稍微多了点,读起来得在脑子里多转几个弯。不过话说回来,这种需要咂摸的味道,不正是古典诗词的魅力所在么?