“壶边击断歌无节”的意思及全诗出处和翻译赏析
《菩萨蛮(再登赏心用林子长韵)》
山川一带伤情切。
依旧石头城。
夕阳天外明。
行人谁是侣。
遗唱今何许。
对酒转愁多。
愁多奈酒何。
丘崈的简介
丘崈(1135-1208) 南宋将领。字宗卿,江阴(今属江苏)人。...[丘崈的诗词]《菩萨蛮(再登赏心用林子长韵)》丘崈 翻译、赏析和诗意
诗词:《菩萨蛮(再登赏心用林子长韵)》
作者:丘崈(宋代)
壶边击断歌无节。
山川一带伤情切。
依旧石头城。
夕阳天外明。
行人谁是侣。
遗唱今何许。
对酒转愁多。
愁多奈酒何。
中文译文:
在壶边打断了没有节奏的歌曲。
山川一带伤情如刀割。
石头城依然在那里。
夕阳从天外明亮地照耀。
行人们,你们是谁的伴侣?
唱歌的声音现在在何处?
对酒之时忧愁更多。
愁苦再多又能如何?
诗意和赏析:
这首诗是宋代丘崈创作的《菩萨蛮》系列中的一首,题为《再登赏心用林子长韵》。整首诗描绘了壶边击断歌声、山川伤情、石头城的景象,并融入了夕阳的明亮和行人的孤独。诗人以简洁而凄凉的笔触表达了深沉的思索和忧愁之情。
首先,诗中的“壶边击断歌无节”意味着诗人在欢乐与愉悦之际,突然被现实的残酷打断,使歌声无法继续,形成了强烈的对比。这可能暗示了人生中的突变和意外,使得诗人的心情无法持续轻松。
其次,诗中的“山川一带伤情切”表达了诗人对自然景色的感伤和伤感之情。山川作为自然的象征,也承载了诗人内心的伤痛和失落,使得情感更加深刻。
接着,诗人提到“依旧石头城”,这句话暗示着岁月流转,城市依然存在,但也意味着历史的沉淀和人事的更迭。城市的存在成为诗人思考的对象,同时也让人们联想到城市的冷漠和繁忙。
夕阳的出现让整个景象更加明亮,但也更加凄美。夕阳天外明,暗示了诗人的情感超越了尘世的桎梏,有一种超越现实的意境。
诗的结尾以反问句“行人谁是侣,遗唱今何许”引发了读者的思考。诗人问行人们是谁的伴侣,以及歌声在何处留存。这里的“行人”可以理解为一种寻找和追求的象征,诗人对于真正的陪伴和意义的思索。
最后两句“对酒转愁多,愁多奈酒何”表达了诗人在对酒作诗的过程中,忧愁和苦闷的增多。诗人感叹,即使有酒作伴,但面对愁苦的内心,酒又能起到什么作用呢?这种对抗境遇的无奈和无力感,增添了整首诗的忧伤情调。
《菩萨蛮(再登赏心用林子长韵)中文诗词翻译:
壶边击断歌无节。
山川一带伤情切。
依旧石头城。
夕阳天外明。
行人谁是侣。
遗唱今何许。
对酒转愁多。
愁多奈酒何。
Poetic Translation:
By the pot's edge, a song is abruptly cut without rhythm.
The mountains and rivers carry a deeply wounded sentiment.
The stone city remains as before.
The evening sun shines from beyond the sky.
Who are the companions of the travelers?
Where does the lingering melody reside?
Drinking, my worries multiply.
But what can wine do with so much sorrow?
Poetic Meaning and Appreciation:
This poem is titled "Pusa Man (Redeploying Shangxin Yong Linzi Chang Yun)" and was written by Qiu Mao during the Song dynasty. It is part of the "Pusa Man" series. The poem depicts a scene where a song is interrupted, the mountains and rivers evoke a sense of sorrow, and the stone city stands unchanged. The bright evening sun and the loneliness of the travelers are also incorporated. The poet expresses deep contemplation and melancholy emotions through concise and desolate imagery.
Firstly, the line "By the pot's edge, a song is abruptly cut without rhythm" suggests that the poet's joy and happiness are suddenly interrupted by the harsh reality, rendering the song unable to continue. This stark contrast possibly implies unexpected turns and circumstances in life that prevent the poet from maintaining a carefree state of mind.
Secondly, the line "The mountains and rivers carry a deeply wounded sentiment" conveys the poet's melancholy and sorrow in response to the natural scenery. The mountains and rivers, as symbols of nature, bear the poet's inner pain and loss, intensifying the emotional depth.
Furthermore, the mention of "The stone city remains as before" implies the passage of time and the city's continued existence. It also signifies the accumulation of history and the changing nature of human affairs. The city's presence becomes the subject of the poet's contemplation and evokes associations with urban indifference and busyness.
The appearance of the evening sun enhances the overall brightness of the scene but also adds a touch of melancholy beauty. The phrase "The evening sun shines from beyond the sky" suggests that the poet's emotions transcend worldly constraints, creating a sense of transcendence.
The closing lines, in the form of a rhetorical question, "Who are the companions of the travelers? Where does the lingering melody reside?" provoke contemplation in the readers. The poet questions the identity of the travelers' companions and the whereabouts of the lingering song. Here, "travelers" can be understood as a symbol of searching and pursuit, representing the poet's pondering about genuine companionship and meaning.
Finally, the last two lines, "Drinking, my worries multiply. But what can wine do with so much sorrow?" express the poet's growing worries and melancholy during the process of drinking and composing poetry. The poet laments that even with wine as company, it is powerless in the face of inner distress. This sense of helplessness and powerlessness in confronting adversity adds to the overall melancholic tone of the poem.
In summary, "Pusa Man (Redeploying Shangxin Yong Linzi Chang Yun)" is a poignant poem that explores themes of interruption, melancholy, and the search for companionship and meaning in life. The poet uses vivid imagery and rhetorical questions to evoke contemplation and emotions in the readers, leaving a lingering sense of sorrow and reflection.
《菩萨蛮(再登赏心用林子长韵)》丘崈 拼音读音参考
pú sà mán zài dēng shǎng xīn yòng lín zǐ cháng yùn
菩萨蛮(再登赏心用林子长韵)
hú biān jī duàn gē wú jié.
壶边击断歌无节。
shān chuān yí dài shāng qíng qiē.
山川一带伤情切。
yī jiù shí tou chéng.
依旧石头城。
xī yáng tiān wài míng.
夕阳天外明。
xíng rén shuí shì lǚ.
行人谁是侣。
yí chàng jīn hé xǔ.
遗唱今何许。
duì jiǔ zhuǎn chóu duō.
对酒转愁多。
chóu duō nài jiǔ hé.
愁多奈酒何。
“壶边击断歌无节”平仄韵脚
拼音:hú biān jī duàn gē wú jié平仄:平平平仄平平平
韵脚:(仄韵) 入声九屑 * 平仄拼音来自网络,仅供参考;诗句韵脚有多个的时候,对比全诗即可判断。
诗友评论
更新时间:2026-09-29 12:27:35
哎,读这首《菩萨蛮》的时候,我整个人就像被按进了江南潮湿的黄昏里。开头那句“壶边击断歌无节”直接让人心头一紧——酒壶边上敲断的节拍,是醉汉的踉跄,还是有人突然摔碎了酒杯?这种不按牌理出牌的节奏感,配上“山川一带伤情切”,简直像是把山河的苍凉硬生生塞进喉咙里,吞不下又吐不出。
读到“依旧石头城,夕阳天外明”,突然就懂了诗人的视角。石头城是南京古称,六朝金粉地,此刻却只剩一抹残阳斜挂。这画面让我想起老照片褪色后的焦黄边角,明明景物未改,可那种物是人非的钝痛,全藏在“依旧”俩字里了。你说夕阳在天外明亮,到底是豁达还是绝望?我咂摸了半天,总觉得像是苦笑。
下半阙的孤独感更扎人了。“行人谁是侣”问得直白,可答案早被风吹散在“遗唱今何许”的叹息里。最绝的是结尾那两句“对酒转愁多,愁多奈酒何”,简直把中国文人绕了千百年的死循环给戳破了。就像现在人说的“熬夜抗衰老,衰老怕熬夜”,这种悖论式的自嘲,听着像绕口令,细品全是血泪。
说实话,这词要是放在现代,配上点电子乐说不定能成爆款。它那种颓废美学和存在主义的迷茫,跟当代年轻人的精神困境意外契合。不过最让我震撼的还是诗人对痛苦的处理——不嘶吼不卖惨,就用几个意象反复折叠,把愁绪叠成了千层酥,咬一口就簌簌掉渣。这种高级的丧,可比直白的哭喊狠多了。